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DaVinci Resolve 16 is the world's only solution that combines professional 8K editing, color correction, visual effects and audio post production all in one software tool! You can instantly move between editing, color, effects, and audio with a single click. DaVinci Resolve Studio is also the only solution designed for multi user collaboration so editors, assistants, colorists, VFX artists and sound designers can all work live on the same project at the same time! Whether you're an individual artist, or part of a large collaborative team, it's easy to see why DaVinci Resolve is the standard for high end post production and finishing on more Hollywood feature films, television shows and commercials than any other software.
You get unlimited creative flexibility because DaVinci Resolve makes it easy for individual artists to explore different toolsets. It also lets you collaborate and bring people with different creative talents together. With a single click, you can instantly move between editing, color, effects, and audio. Plus, you never have to export or translate files between separate software tools because, with DaVinci Resolve, everything is in the same software application.
DaVinci Resolve is the only post production software designed for true collaboration. Multiple editors, assistants, colorists, VFX artists and sound designers can all work on the same project at the same time! Whether you're an individual artist, or part of a larger collaborative team, it's easy to see why DaVinci Resolve is the standard for high end post production and is used for finishing more Hollywood feature films, episodic television programing and TV commercials than any other software.
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DaVinci Resolve 16 features a revolutionary new cut page specifically designed for editors that need to work quickly and on tight deadlines! The new DaVinci Neural Engine uses machine learning to enable powerful new features such as facial recognition, speed warp and more. Adjustment clips let you apply effects and grades to clips on the timeline below, quick export can be used to upload projects to YouTube and Vimeo from anywhere in the application, and new GPU accelerated scopes provide more technical monitoring options than before. Plus, Fusion is dramatically faster and Fairlight adds immersive 3D audio. DaVinci Resolve 16 is a massive release with hundreds of features customers have asked for.
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- Support for additional audio track formats for IMF and DCP renders
- Improved decode and encode performance for Kakadu DCP and IMF formats
- Support for CUDA based R3D with the latest RED SDK on Windows and Linux
- Adds Blackmagic RAW support for latest Blackmagic URSA Broadcast update
- Support for new audio only and video only editing modes on the cut page
- Added in and out buttons in the user interface on the cut page
- Support for audio playback when trimming on the cut and edit pages
- Improved zoom buttons for the timeline on the edit page
- Improved smart indicator in the cut page for when using in and out points
- Viewer resize icon on the cut page now correctly resizes the whole viewer
- Cut page divider between timeline and viewer can now be moved via the divider
- Close up edits in the cut page now vary the close up from 20% to 40% randomly
- Search dial is more responsive when using the DaVinci Resolve Editor Keyboard
- Removed auto jog mode on scroll with the DaVinci Resolve Editor Keyboard
- Better responsiveness using shuttle with the DaVinci Resolve Editor Keyboard
- Double press to clear in and out on the DaVinci Resolve Editor Keyboard
- Improved performance in collaborative projects with multiple DaVinci systems
- Support for monitor name in the workspace menu display options
- Support for copy/paste in Dolby Vision mid tone offset values between clips
- New scripting APIs to move media items, LUTs, markers, copy grades and more
- Now uses 2 up view in sync bin when using live overwrite editing
- Fixes a bug that caused the clip dividers in the source tape to scroll with audio
- Opening the media folder in the cut page will re-sync to that folder contents
- Multiple performance and stability improvements
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| Issue ID | Description |
|---|---|
A day to date relative date filter would only return data for midnight of the same day instead of the specified day to date. | |
In histogram views, the axis labels did not match the bin values represented by the marks in the view. | |
Updated Japanese postcode data. | |
In some cases, changing a filter selection could cause the filter width to shrink with each successive change to the selection. | |
Selecting a large number of marks (~100 or more) and then choosing to Keep Only or Exclude those marks would result in an internal error. | |
When connecting to Excel files containing Japanese data, big and small Katakana characters were incorrectly recognized as equivalent. Deleting existing shadow extract files (.hhyper) may be required to see the correct behavior after upgrading Tableau Desktop. On Windows platforms the files are located in Users | Viewing full underlying data in a view connected to Oracle would either show the incorrect number of rows or no data at all. |
In some cases, custom filter titles could revert to their original name upon opening a workbook. | |
An ambiguous table reference could occur when connecting to certain Cisco Information Server data sources. | |
Users were allowed to publish an extract-only data source (e.g. Salesforce) from the Server menu in the Data Source page before the required extract was created. Cineflare transmorphic for final cut pro x. | |
In some cases, filtering on a group containing at least 8 dimension members would result in a no such column error. | |
Color palette assignments, based on combined fields with dimensions from different data sources, would be lost when the workbook was reopened. |
